“As Mistress Wishes” to appear in alternate Canada anthology

Her ceramic arm and hand and articulated fingers gleam unadulterated ivory, whiter than the snow outside already melting as it falls. . .

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Some buzz has already been generating about the forthcoming 49th Parallels anthology from super-local (Yay, Ottawa!)  independent publisher Bundoran Press, which the Toronto Metro describes as “an anthology around what would have happened if the country took a very different turn.”  I’m happy to say my post-pandemic Vancouver story “As Mistress Wishes” will be joining the excellent lineup of these Canada-askew tales.

This one re-imagines the downtown Vancouver peninsula as a sort of steam-powered walled matriarchal city state, its society a product of the previous generation’s fierce battles over resources splitting along a strict gender divide, a world with little appreciation for nuance or inclusivity.

Mistress’s voice soothes something deep in my chest, past the industrial ceramic ribcage of my refashioning, a restless twitch in the meat muscle of my canine heart…

And of course it’s told from the dog’s perspective. Because DOGS.

More info as it materializes.

“Little Red Roofs” in Understorey Magazine

red-roofsMy poem “Little Red Roofs” is up today in Understorey Magazine, Issue #9. Happy to say they totally nailed it with this gorgeous accompanying photo of Deanne Fitzpatrick‘s brilliant artisan textile. Of course I totally, totally want one, because of, you know, the little red roofs.

[link http://understoreymagazine.ca/article/little-red-roofs ]

From “Little Red Roofs“:

What has brought on
my predilection for houses
with little red roofs?

I never lived in one
—not to my knowledge—
but out in the world
continually reach for even
hokey nicknacks of the image:
vintage plaster souvenirs from
Amsterdam or Aruba,
country carvings of Amish barns
and tiny bisque pagodas
marked Occupied Japan.

cover reveal: Those Who Make Us

twmuCover has been revealed for Those Who Make Us, an anthology of Canadian creature, myth, & monster stories including my future Canadiana sasquatch tale “The Hairy Man.”

The Hairy Man showed me his pénis today at the castle and though my maman would not have approved I looked with Great Interest and when he pushed his matted brownish hair back over his man-thing and covered it up again he waited and I knew it was hoped I would return the Favour. I did not…

I pretty much adore this story. Love it for its Edwardian ladies’ digest overtones and its bildungsroman fragile rawness. Happy to say it’s been chosen also to appear in the Exile Literary Quarterly.

Pre-order the anthology here.

“The Hairy Man”

Haida_SkidgateToronto-based Exile Editions has announced the table of contents for their forthcoming monster/myth anthology Those Who Make Us, which includes my post-apocalyptic love letter to Victoria, “The Hairy Man.”

Patterson–Gimlin_film_frame_352Living in the Pacific Northwest gives one (if one is odd, and loves monsters and attendant mythos) a somewhat proprietary appreciation for Bigfoot, aka Sasquatch, aka hairy man, aka gogit — okay, the dude has a dozen different regional names all over the world, and was incidentally responsible for one of my favorite X-Files episodes.

I’m in absolute love with this story. It’s tangentially set in the same future-Canada as my “Drowntown” (lead story in the Prix Aurora-winning Blood & Water) and Vancouver-based matriarchal steamworks story I’m still cooking in the oven. I’m starting to sense a post-disaster Canadian mosaic novel materializing…